Qin Han Dynasty Warring States Zhiju Robe Royal Power

This Zhiju Robe (straight robe) of the Qin and Han Dynasties, named "Royal Power", draws design inspiration from the robe styles of the Warring States Period. The entire outfit consists of three parts: an inner Zhiju robe, an outer Zhiju robe, and a waist belt. The inner Zhiju robe comes in two colors, red and black, and is made of high-end dark-patterned printed fabric. Its neckline and cuffs are trimmed with the same black gold-gilded fabric, exuding dignity and grandeur. The outer Zhiju robe is crafted from black silk gauze, which is light yet textured, and its neckline and cuffs are made of the same patterned gold-gilded fabric. You can wear the inner Zhiju robe alone; if it’s cold, you can also layer the two Zhiju robes together — both ways achieve excellent effects.

Notice:
1.This is an in stock style. It will be dispatched 3 days after the order is placed. If you have any questions, please contact us.
2.The set includes: an outer zhiju robe + an inner zhiju robe + a Waist Belt.

Please note that the pattern print is not fixed, the position will be random and differ from the product images.

Archaeological Evidence & Evolution of Qin-Han Robes

I. Form Evolution: From Warring States "Shenyi" to Qin-Han Robes

1. Warring States Shenyi (Source)
   Represented by the No.15 Brocade Robe (Mashan Chu Tomb, Jiangling, Hubei), it featured a cross-collar with right overlap and Quju wrapping (forming triangular "extended lapel hooks"). Made by joining separate upper/lower parts, it was full-coverage but impractical for movement—only for rituals.
2. Qin-Han Robe Differentiation
   • Quju robes (Early Western Han mainstream): Inherited wrap-around design (e.g., Scarlet Rhombus-patterned Gauze Robe, Mawangdui Tomb) with flared hems. Worn in 3 layers (outer curved, middle straight, inner unlined) as noble ceremonial attire.
   • Zhiju robes (Eastern Han mainstream): Vertically cut (e.g., Plain Gauze Robe, Mawangdui Tomb). Popularized after crotch trousers spread (no need to cover lower body), becoming daily wear for officials/commoners and even court attire.

II. Fabric Upgrades: Silk/Linen Tech & Class Gaps

1. Tech & Materials
   • Silk: Mawangdui’s Plain Gauze Robe weighed 49g (12g/sq.m), with silk 30% finer than modern silkworms. Brocades used "four-harness warp weave" (e.g., geometric pile brocade)—exclusive to nobles.
   • Linen: Mawangdui linen had 37 threads/cm (near modern fine linen). Zhou’s ban on "trading embroidered silks" was lifted; merchants/servants could wear trimmed silk shoes.
2. Class-Based Attire
   • Nobles: Lady Xin Zhui’s (Mawangdui) Scarlet Rhombus-patterned Robe (cinnabar-dyed, pile brocade trim).
   • Qin soldiers: Short Zhiju robes (under armor)—balanced ritual and practicality.

III. Ritual Symbol: "Cross-Collar with Right Overlap"

1. Cultural Marker
   The Book of Rites emphasized "right-overlap = orthodox"; Han Dynasty saw left-overlap collars as "barbarian" (Xiongnu, Xianbei). Evidence (Mawangdui figurines, Qin terracotta) confirms right-overlap as core of Huaxia attire.
2. Straight-Lapel Popularity Logic
   It reflected a shift from "ritual priority" to "practicality": With crotch trousers, straight-lapel robes suited daily use—officials wore black-trimmed court versions, commoners wore short-lapel styles, covering "court to marketplace".

Conclusion

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