The System and Characteristics of Ming Dynasty Men's Hanfu
Backed by authoritative texts (
The Grand Ceremony of the Ming Dynasty,
Sancai Tuhui) and archaeological finds (e.g., Ming nobles’ tombs), Ming men's Hanfu (1368–1644) revived Han traditions while balancing ritual solemnity and daily practicality.
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Zhishen (直身): Daily/semi-formal wear with a straight cut, side slits, and high cross/round collar (length: below knees to ankles). Elites used silk (ling, luo); commoners relied on cotton/linen (per Ming textile archives).
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Tieli (贴里) Feiyufu: Practical attire for mobility (martial duties/labor) with a cross collar, narrow sleeves, and underarm gussets. Made of durable silk/cotton (Military Training Manual of the Ming Dynasty records its use in military wear).
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Daopao (道袍): Ceremonial wear for literati with wide sleeves, a cross collar, and flowing silhouette. Features a pijia (yoke) and subtle embroidery; crafted from fine silk/linen (seen in Nanjing Yunjin Brocade Museum collections).
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Han Culture Revival: Restored core Hanfu elements (cross collars, hierarchical dress codes) after the Yuan Dynasty (Ming Shi Lu documents Emperor Taizu’s edicts on reviving Han attire).
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Formality & Practicality: Styles like Zhishen (daily) and Daopao (ceremonial) balanced different use cases.
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Advanced Textiles: Sophisticated silk weaving (Yunjin) and widespread cotton (popularized via Huang Daopo’s innovations) enabled diverse, comfortable fabrics.
This blue Ming Dynasty Men's Hanfu ensemble consists of two cross-collar robes, a gauze long-sleeved shirt, a cloud collar (yunjian), and waist ornaments. One of the cross-collar robes is made of fabric with gold stamping technique — the golden patterns shimmer on the blue base cloth, exuding a sense of luxury. Another printed cross-collar robe is layered on the outside, adding layers and a sense of substance. The outermost gauze embroidered long-sleeved shirt is light and transparent with exquisite embroidery, bringing more ethereal charm to the overall look.
This Ming Dynasty Men's Hanfu ensemble draws inspiration from the color scheme of A Thousand Li of Rivers and Mountains. With blue and green as the main hues and natural gradient transitions, it combines magnolia flower and flowing cloud patterns, creating an elegant, far-reaching atmosphere with a strong sense of martial arts mastery (as if worn by a top-tier swordsman). Meanwhile, its silhouette flatters the figure skillfully, making one stand tall and straight instantly, and the thick fabric texture makes it perfectly suitable for wearing in autumn and winter.
- Inner garment: Plain cross-collar neiyi (for layering, as in Sancai Tuhui illustrations).
- Waist belt: Wide silk belt with a jade/copper buckle (holds daidai pouches, depicted in Ming tomb murals).
- Footwear: Mianxie (thick-soled cloth shoes, daily); official leather boots (formal, per Ming Dynasty Official Attire Regulations).
- Headwear: Zhuyi (scholarly), Sixi Mao (daily), Mianguan (ceremonial).
- Accessories: Jade pendant or xiangnang (fragrant pouch).
This ensemble embodies Ming-era aesthetics with historical accuracy.
This set of clothes includes two zhiju robes, an outer robe, an embroidered cloud - collar, and a belt.
Please note that the pattern print is not fixed, the position will be random and differ from the product images.
Fabric & Wash
Material: Polyester Recommend Hand-wash with your favorite mild detergent; Cold or warm water, maximum temperature 35°C. When washed, shake off any excess water and let them air dry. (Alternate: washing machine – put clothes into a soft mesh wash bag and run with gentle cycle).
About The Brand: 褚云令
A Trendy Lair for 200,000+ New Chinese Fashion Devotees
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